MANITOBA PHOTO EVENTS – PRINT GALLERY – MAY 2nd, 2020
Manitoba Photo Event registrants are invited to submit a print for display at The Samuel N Cohen Auditorium in conjunction with the Richard Martin presentation on May 2nd, 2020.
Terms and Conditions:
• You must already be registered for the Saturday presentation by Richard Martin on May 2nd, 2020 • One print per applicant.
• Prints must be at least 8 x 12, (including matts) and not exceed 20 x 30. (including any matts or mounts).
• All images should be gallery ready for display.
• The MPE will provide easels for display.
• No Frames, Glass or Metal Prints – Weight can be an issue.
Commitment to Participate by Sunday April 12th
• Your intention to be a part of this gallery by email to the Gallery Coordinator
• Names will be recorded in the order received.
There will be limited space to display prints. So it will be done on a first come, first served basis. If the MPE has additional space after the April 12th registration deadline, gallery participants will have an opportunity to submit a second print.
Deliverables by Thursday, April 23rd
• For each print a thumbnail photo.
• Your contact info (phone, website, social media etc).
• Your label information. Title and Exhibitor’s Name.
• Size of print.
Shipping & Handling:
• Pack properly: Better packing means less risk of damaging your artwork. Put your name on all your packing material so it can be re-used after the event.
• Prints will be collected as notified by your respective primary photo club (Manitoba Camera Club, Manitoba Foto Friends or Winnipeg South Photo Club) by THURSDAY, APRIL 23rd.
• If you don’t belong to any of the above clubs, an alternate drop-off arrangement can be done by contacting the Gallery Coordinator prior to THURSDAY, APRIL 23rd.
• Artists must pick up their print(s) by 4:30 pm at the completion of the keynote presentation at the Samuel N. Cohen Auditorium on May 2nd, 2020. MPE takes no responsibility for any prints that were not picked up or abandoned.
There is risk of damage such as smudges, dented corners and so on. The MPE accepts no liability and will not reimburse you for loss. Do not submit art you cannot afford to replace.
We want this exhibition to work for you:
The above conditions are what we think will work for everyone and yield an excellent display.
THE PHOTOGRAPHER’S EYE by Richard Martin
DATE: Saturday, May 2, 2020 – 9:00 AM to 4:30 PM
(Registration from 8:00 AM to 9:00 AM) SAMUEL N. COHEN AUDITORIUM St. Boniface Hospital – 351 Taché Avenue WINNIPEG, MANITOBA
Topics to be covered during the presentation:
The Intuitive Eye
At a time of rapid technological advancement in equipment, one thing still remains true. The most valuable decisions a photographer can make are those concerned with the image itself—the reasons for making them and ultimately their final appearance. Although equipment is essential to help realize the photographer’s ideas and perception, the development of such skills as visual awareness and design are key to making a good photograph. This presentation will offer an insight into the methods, actions, or processes involved in making them.
The Value of Play
Play is at the very heart of creativity and an excellent means to stimulate our minds. Without question, a playful attitude is fundamental to creative thinking. Speaking from experience, the greatest breakthroughs in my photography have been achieved during times of playfulness. It is the perfect tool for allowing experimentation and change. Seriousness inhibits the creative flow, while playing around allows us to be more relaxed, with fewer concerns for rules, making mistakes and being practical. Children are naturally creative because they know how to play and have fun.
Breaking the Rules can Lead to Innovative Thinking
In order for creativity, originality, and imagination to take place in the context of photography, every effort should be made to free the mind of conventional ways seeing and thinking. With a fixation on the idea of ‘correctness’ we comply in order to gain acceptance and grow accustomed to being rewarded for following the rules. So, it comes as no surprise that people are more comfortable following them rather than challenging them. In this segment we will examine a few images and think about how the so-called rules can be effectively broken.
The Dynamic Factor of Colour
The power of colour to evoke an emotional response is undeniable. A colour photograph gives you a chance to study and remember how things look and feel—Colour is always part of experience. The energy of colour—the dynamic factor—is continually influenced and modified by its surroundings. Colour contrasts, which serve to amplify this energy, are one factor photographers need to be most aware of. With enough experience and practice, a photographer can develop an eye for colour.
From Richard’s website:
A long-time contributor to Photo Life magazine, Richard pursues photography as a medium of visual expression. He is best known for his unique vision with a personal style characterized by a strong sense of composition, colour and the use of light. His work combines an architectural love of geometry, pattern and texture with a painter’s sensitivity to colour, light and composition.
Well known for sharing his enthusiasm, creative vision and passion for the medium, Richard has inspired participants with his annual photography and visual design workshops in his native Kingston, Ontario since 1990. He also conducts workshops, tours, and seminars around the world, including Cuba, Mexico, Sicily, Venice, Tuscany, Provence, Ireland, and Morocco.